Under the chandeliers of The St. Regis Hong Kong, an evening of music and celebration unfolded as Opera Hong Kong brought together figures from the arts, business and philanthropic communities for its 2026 Gala Dinner—an occasion that looked both to opera’s legacy and its future in the city.
Held on March 20, the event placed the spotlight firmly on the Li Ka Shing Foundation – Opera Hong Kong Young Artist Overseas Fellowship Programme, a key initiative designed to nurture emerging opera talent through international training and exposure.
Throughout the evening, the six fellowship recipients—Dani Zhang, Tammy Shum, Valentina Tao, Ashley Chui, Nicole Chan and Rianne Lau—took to the stage with a series of solo and ensemble performances. Their voices, distinct yet united in purpose, reflected both personal journeys and a shared commitment to the art form.
In his welcoming remarks, Opera Hong Kong Chairman Ronald Kwok spoke of opera’s enduring role in society. He noted its ability to bring people together, to make people feel good about themselves and the world around them.
He added that the fellows carried not only their individual ambitions, but also the cultural identity of Hong Kong, demonstrating that the city is “not only a global finance center, but also a place where artistic excellence is fostered and celebrated.”
The evening also recognized artistic achievement through two awards. Nicole Chan received the Outstanding Artist Award, honoring her artistic vision and dedication to the future of opera. Tammy Shum was presented with the Audience Choice Award, following a performance that resonated strongly with guests.
Beyond the performances, the gala reflected a broader vision—to cultivate a new generation of artists who can represent Hong Kong on the global stage. The fellowship program allows each recipient to design a personalized overseas study path, working with leading mentors and gaining international experience.
The celebration reached a joyful finale when Opera Hong Kong’s Artistic Director Warren Mok invited a group of tenors and the six fellowship recipients to the stage for a performance of Brindisi from La Traviata, filling the ballroom with a sense of shared celebration.
Looking ahead, Opera Hong Kong also announced its upcoming production of Bizet’s Carmen, scheduled to run from May 7 to 10 at the Grand Theatre of the Hong Kong Cultural Centre as part of the French May Arts Festival.
As the evening drew to a close, the message was clear: while opera’s heritage remains deeply rooted, its future in Hong Kong is being shaped by a new generation of voices ready to take the stage.
Read more: Bizet’s Carmen meets 1970s Hong Kong
marco.lam@singtaonewscorp.com
