The New York-based Chamber Music Society of Lincoln Center is regarded as one of the world’s leading chamber music organizations, celebrated for its exceptionally high standards and extensive influence within the global community.
Its evolving roster of musicians from 18 countries, many graduates of top conservatories and winners of prestigious competitions, reflects their international reach and excellence.
Last week, in the final chapter of their three-year partnership with the Hong Kong Academy for Performing Arts, they presented three memorable performances at the William Au Theatre.
Before traveling to Beijing and Shanghai for tour, their key work with local students was intensive masterclasses, enriching cultural exchange and inspiring new generations to love chamber music.
In the absence of co-artistic director Wu Han, the award-winning Wu Qian admirably stepped in. Concerts showcased classics and lesser-known gems by the finest composers. Brahms’ Horn Trio in E-flat major, Op 40 for natural horn, violin, and piano was one of the highlights, which displayed deep emotion and sensitivity from the musicians to blend tones that evoked nostalgia and quiet beauty.
The second night’s performance of Martinu’s Three Madrigals for violin and viola thrilled with energy and lively interplay, earning enthusiastic responses for its precision and vibrancy.
To close the final night, Dohnanyi’s Sextet in C major blended symphonic grandeur with chamber intimacy, bringing it to life. It unfolded with warmth and precision, eliciting enthusiasm and appreciation.
As a homage to New York, the ensemble finished with an encore of Leonard Bernstein’s Mambo from West Side Story , which delighted the audience.
These ongoing collaborations are essential to reinforce Hong Kong as an international hub for cultural exchange. Hopefully, the Chamber Music Society of Lincoln Center will return to the city to support more generations of musicians.
Bernard Charnwut Chan is chairman of Tai Kwun Culture & Arts Co Ltd
