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The triumph for the Korean movie “Parasite” enabled Hollywood to flip the script and signal a different kind of progress.
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In doing so, the film academy turned away another history-making event, again denying Netflix its first best-picture win despite two contenders in “The Irishman” and “Marriage Story,” and a big-spending awards campaign blitz.
The audaciously conceived World War I film “1917,” made to seem one continuous shot, had been the clear favorite heading into Oscars, having won nearly all the precursor awards, including top honors from the Producers Guild, the Directors Guild, the Golden Globes and the BAFTAs.
In the end, “1917” went home with three awards for its technical virtuosity: Roger Deakins’ cinematography, visual effects and sound mixing.-AP

Roger Deakins accepts the award for best cinematography for '1917' at the Oscars on Sunday, at the Dolby Theatre in Los Angeles.














