A cinematic treasure from Hong Kong has triumphantly returned to the international spotlight. On May 17, M+, the city’s museum of contemporary visual culture, celebrated the world premiere of its restoration of The Arch at the 78th Cannes Film Festival.

This milestone highlights not only the enduring artistry of the film but also honors the pioneering achievements of T’ang Shushuen, one of Hong Kong’s first independent female filmmakers.

Held at the prestigious Salle Buñuel in the Palais des Festivals, the screening marked a poignant homecoming for The Arch, which was first showcased at Cannes’ Directors’ Fortnight in 1969.

T'ang Shushuen is seen at a photo call at the Cannes Film Festival along with Adele Yoshioka, Li Cheuk-to of Hong Kong Film and Media, Chanel lead curator Silke Schmickl, and Chanel Kong and Janis Law of Moving Image.

More than five decades later, its return emphasizes the film’s enduring impact on Hong Kong and world cinema.

The event is a testament to T’ang’s pioneering role in shaping the city’s cinematic landscape. It highlights the importance of preserving Hong Kong’s cultural heritage through restoration and renewed international exposure.

The Arch draws inspiration from a Chinese folktale and centres on a widow grappling with the tension between her desires and the rigid expectations of traditional society. Through this intimate narrative, the film examines gender roles and societal constraints in Chinese culture.

Shot in black and white, it combines traditional Chinese visual motifs with contemporary European cinematic language.

Its experimental approach, characterized by innovative uses of dissolves, superimpositions, freeze frames, and repeated shots, was pioneering for its time and significantly contributed to the development of future cinematographers.

Restoring The Arch was a meticulous process, as the original black-and-white negatives had been lost. M+ and its partners sourced surviving 35mm prints from archives in the United States and the United Kingdom. They undertook a detailed digital restoration in London.

The effort has revived the film for a new generation, enabling audiences to rediscover its innovative spirit and emotional depth. As the first feature restored under the M+ Restored program, supported by Chanel, The Arch leads a broader initiative aimed at elevating Hong Kong’s cinematic legacy, ensuring its film classics continue to captivate and inspire audiences worldwide.

Bernard Charnwut Chan is chairman of Tai Kwun Culture & Arts Co Ltd

Restoration of The Arch helps ensure HK film classics continue to inspire | Cultural Exchange | Bernard Charnwut Chan