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Thai massage parlour king turned politician, Chuwit
Kamolvisit, above, holds a model of the centuries-old royal Thai crown, during
a demonstration in front of the US embassy in Bangkok - AFP
Thailand doesn't much feel like a country
desperately seeking an identity. In Bangkok, at least, art exhibitions at
places such as the Siam Society show reverence for traditional forms of Thai
culture - each event draws local and overseas specialists on obscurities
ranging from ancient monuments and little-known variations in Thai script to
what Dutch prisoners of war got up to after 1945.
The country's many modern hotels boast traditional design blended with modern
convenience. Tourists by the planeload are lured to Thailand precisely because
the nation and its people know very well how to sell their "Thai-ness.'' The
famous smile, the bow, the orchids, the Buddha and other accoutrements of the
culture are on display to make outsiders feel they have seen something exotic
and genuine while enjoying five-star luxury and air-conditioned shopping.
Indeed Thailand is home to perhaps the most successful self-marketing campaign
in recent times, turning itself from a backpackers' backwater to a mainstream
resort haven at warp speed.
But a recent political row hints at deeper currents in Thai efforts to come to
grips with the world.
When a TV report raised the possibility that a centuries-old golden crown on
display at the Asian Art Museum in San Francisco had probably been looted from
an ancient temple, the government of populist prime minister Thaksin
Shinawatra, who was recently granted a second term with a thumping majority,
seized on the affair.
Thaksin, his aides said, was incensed. He wanted to buy back the crown from the
thieving Americans.
The crown, part of an exhibition entitled "The Kingdom of Siam, The Art of
Central Thailand 1350-1800,'' is on loan from the Philadelphia Museum of Art
which bought it in a Sotheby's auction in 1982.
Made of pure gold, weighing five kilograms and standing 19 centimeters tall, the
crown has become the latest football in Thailand's identity crisis. Academics
dispute the details, and a committee is now examining it all, but the crown is
believed to have belonged to King Borom Rajathiraj II and dates back to 1424
during the Ayuthaya Dynasty.
The public has taken to the crown controversy in a big way. What is the crown
doing in an American museum? And how can Thais hold their heads high when such
an icon of Thai history is in the hands of foreigners?
Forrest McGill, chief curator of the San Francisco museum and a specialist in
Thai art, told reporters the whole thing was a puzzle to him.
He said the Philadelphia crown, which may have been stolen by somebody at some
time, had been in the public realm for years.
"I don't see what the big deal is. I don't see why it's coming up now,'' he told
the San Francisco Chronicle. Furthermore, McGill said, there is no
definitive proof that the crown came from the crypt that was looted in 1957.
Ownership of the crown is traced back only to 1965, when Jay Leff, a collector
of non-Western art, bought it from a New York antiquities dealer named JJ
Klejman, who has since died.
In a written statement, Philadelphia Art Museum director Anne d'Harnon-court
said, "We take the issue of provenance very seriously and would be ready to
explore any questions about the history of the object with the appropriate Thai
officials.''
Experts and bureaucrats are now preparing a claim for the crown's retrieval.
Visitor numbers have doubled at the Chao Samphraya National Museum in the
ancient city of Ayuthaya where gold ornaments similar to those visiting San
Francisco are on permanent display.
Kavi Chongkittavorn, the Assistant Group Editor of The Nation newspaper
said the matter is pure politics. "Thaksin wants this brought up because he
wants to raise the level of Thai nationalism,'' says Kavi. "It is really a way
to get back at negative foreign reports, like the recent US State Department
report criticizing human rights violations in Thailand.''
Ironically, the theft of the crown is said to have been carried out by a gang of
21 Thais. One of them, 78-year old Li Kasemsang, has lamented to the press
about how his life has never been the same since.
His message is clear: Don't mess with traditional Thai-ness or your life will be
misery. The assumption is that we all know what Thai-ness really is - the
primacy of social calm and order in a patriarchal, hierarchical society in
which people display cool hearts, gratitude and public diffidence. The crown
saga has given the powers-that-be a fresh opportunity to assert these sacred
notions of Thai tradition by defining an outside enemy and exposing the rich
royal roots of Thai society.
"Mr Thaksin won't miss such an opportunity,'' said government critic Senator
Kraisak Choonhavan.
"But nationalism here has at times become ultra-nationalism and almost racist,
allowing radio hosts to come out with hate programs.''
Local right-wing radio shows have railed against Americans for daring to hold on
to the crown.
Curiously, nowhere has there been any suggestion that Thais might welcome the
exposure of glorious Thai history and art through an exhibition reaching the
international community.
Instead, the crown - similar to a famous stone lintel from the ruins of the
Phanom Rung temple in 1988 - has become a symbol of national pride.
"To me the interesting thing is that there has been absolutely no focus in any
of the news reports on the actual exhibit [in San Francisco], which of course
should be seen as a great boon to the image of Thailand,'' notes Dr William
Klausner, an anthropologist who has lived in Thailand for 50 years.
"The only focus is on nationalistic posturing and this fits in well with -
indeed is part and parcel of - the Thai approach to the conflict in southern
Thailand.
"This nationalistic posturing always comes forth at periods of crisis, and
certainly the south has generated crisis.
"The posturing very quickly segues into xenophobia and takes people's minds off
daily problems, the southern issues and so on.''
The whipping-up of nationalist fer-vor is hardly unique to the Thai government.
It has proven an effective political strategy almost anywhere when a ruling
elite wants to control notions of nation-hood in the face of popular challenge.
The ongoing Greek-British argument over the Elgin Marbles, which have been
housed in the British Museum for 150 years but are now an object of claims that
they are stolen property, is one example.
Even humble New Zealand has had its upsets over the presence of Maori heads in a
London museum.
But academics and analysts see Thaksin's deliberate stoking of an identity
crisis in somewhat sinister terms.
Although the tsunami helped everyone forget it for a while, people are being
killed almost every day in the four southern provinces of Thailand where a
Yawi-speaking Muslim majority feels marginalized and ignored by the
nation-state of Thailand as epitomized by ancient crowns and Buddhist temple
lintels.
At the other end of the country, manifold hill-tribe people are in a daily
battle for identity papers, work and homes.
The nationalistic strategy appeals to nine-tenths of the populace, those who fit
traditional notions of Buddhist Thai-ness, but ignores the other tenth, notes
Klausner. Increasingly, the narrow definition of Thai-ness is incurring high
costs abroad too. Malaysia has become incensed in recent months by the Thaksin
government's allegations of southern Muslim insurgents being supported by
Malaysia.
Just before the recent Thai election, Thaksin and his foreign ministry broke
diplomatic norms by revealing Malaysia's arrest of an alleged southern Thai
insurgent, insisting Thailand would seek extradition of the suspect. Malaysia
rejected the interference in its judicial affairs.
More dramatically, the Tak Bai massacre on October 25 last year, in which 78
southern Thai Muslims were suffocated to death thanks to the Thai army's brutal
carelessness, has enraged Southeast Asian Muslims.
Malaysia, which will host the next meeting of the Organization of Islamic
Conference later this year, is now considering granting observer status to
representatives of the southern Thai insurgents, a slap in the face for
Bangkok.
"Nationalism is a double-edged sword,'' Klausner warns. He is not alone in his
concerns.
Recent calls by Thaksin's education minister Adisai Bodharamik for yet more
national anthem singing and more flag-waving in the nation's schools has upset
commentators such as the award-winning writer Sanitsuda Ekachai.
"Tough patriotic talk is common when we feel threatened. In fear we often
retreat deeper into our shell of prejudice instead of confronting reality,''
she wrote in December in the Bangkok Post.
At issue whenever a saga over national identity is created, is just what modern
Thai-ness consists of and, more crucially, who has the right to define it.
Powerful governments like to set the tone. Yet in today's Thailand, they do so
against a backdrop of activism across a range of non-government org-anizations,
the growth of civil society, struggles by journalists to insist on a free press
and demands in business for a fair rule of law.
"The reality is that old Siam was a cultural crossroads,'' Sanitsuda says.
"People from all sorts of places and cultural backgrounds came to meet and
settle here, sharing their knowledge, technologies and beliefs so they
intermingled and enriched one another. This process is much older than the
Sukothai kingdom we are made to believe was the first Thai kingdom. The purity
of the Thai race is, quite simply, a myth.''
She links the stoking of nationalist fervor directly to the fascism of earlier
dictatorships in Thailand: "Since the fascist Pibul regime [in the 1930s], we
have been systematically brainwashed to believe the nationalist myth that ours
is an homogenous land of a pure and superior race. Consequently we feel within
our rights to treat anyone different from ourselves - be they Muslims or
hill-tribe - as second-class citizens, even though they are entitled to this
homeland as much as we are.''
What makes the posturing yet more puzzling is that Thailand is the only country
in Southeast Asia not to have been formally colonized. Some aca-demics wonder
if a national struggle to overthrow a colonial yoke might not have forged a
more secure notion of Thai-ness. Instead, Thai maneuvering and appeasement
preserved its formal independence throughout centuries of foreign incursion.
But promoting a mythical Thai-ness through struggles with the Other - such as
America's art museums - is an easy way to keep the masses under control.
"For the majority of Thai people, their psyche is rooted in the traditional
value system and that value system is very user-friendly to people in power. It
involves a respect for authority, an aversion to confrontation, a deference to
elders, sacrifice of individualism and much more. Those values are ones which
validate those in power,'' Klausner says.
More fascinating to many observers of modern Thailand is the extent to which the
traditional, gracious, charming ever-smiling Thai, fixed on order and
stability, is now changing under the impact of globalization and grass-roots
activism.
"Pressures from emerging values are increasing. In China, Singapore, Thailand,
Malaysia, Indonesia, the Philippines, even in Burma, these pressures cannot be
sealed off.
"Unfortunately, those involved in this struggle tend to see it as a zero-sum
game,'' Klausner says.
He proposes an active accommodation between old and new, whereby the best bits
of traditional culture can be combined with the growing modern interest in
equality, justice, freedom of expression and emotional involvement.
"The injunction to maintain a cool heart and avoid confrontation would have to
be modulated,'' Klausner says, in order to encourage real debate and opposing
viewpoints.
Emotional distance would become less valued, and active engagement in social
issues would no longer be negative but instead a necessary element in a
functioning democracy.
"Also, karma would no longer be interpreted as a justification for the continued
unaccountable control by those in power or as approval and acceptance by the
disadvantaged of their being exploited,'' he argues.
The struggle between old and new notions of Thai-ness is played out in Bangkok
every day.
In front of parliament, a semi-per-manent camp of rural protesters from the
Assembly of the Poor receives visits from politicians and journalists. This
path-breaking group was formed a decade ago to protest against disruption
caused by rampant economic development, especially the Pak Mun Dam. It began
when an elderly broom-maker refused to go along with her village elder's
embrace of the new dam, bucking centuries of deference to authority.
Author Philip Cornwel-Smith notes that in modern Thailand's "collision of
values, delicate Thai-ness has taken on a harder, commodified edge.''
Traditional wood carvings turn out to be cast in resin. Garland offerings are
moulded plastic. Traditional offerings to temple monks are bought pre-packaged
in the supermarket.
The clash of values is found in Cornwel-Smith's new book Very Thai, a
romp through everyday Thai pop culture that looks at the artifacts of modern
Thailand. He looks at commonplace sights such as a 7-11 convenience store next
to a Thai temple. Only in close focus does it become clear that the store's
distinctive orange, green and red stripe matches the roof design of your
average temple.
Looking around a Bangkok street on any day, where sidewalk computer vendors
jostle with sacred flower sellers, it's hard to see what defenders of Thai
culture feel they have to be afraid of. Thais have managed to retain
distinctive cultural behavior patterns regardless of the pressures of
global-ization. If the old and new merge to create a new synthesis of
Thai-ness, asks the book, what's the problem?
Instead of creating a fear and loathing of incursions into Thai's mythologized
past, epitomized by the saga over a golden crown whose loss nobody noticed for
22 years, modern Thailand offers much more flux and diversity.
"In one dizzying spasm, Thailand is experiencing the forces that took a century
to transform the West. In few places in time do so many subcultures exist
simultaneously,'' Cornwel-Smith says.
Thailand's recently created Ministry of Culture tries to police the notion of
Thai-ness. This is the ministry which tried to prevent women from wearing
strappy tops during Songkran, the annual water festival.
At other times, ideas of Thai-ness were used to suggest that communists are
non-Thai, just as Muslim activists are now seen as non-Thai.
As the Thai persona undergoes a facelift, "it appears that today, the idea that
Thailand is a uniform and homogenous community is flawed and is itself
affecting national security,'' Pravit says.
The best way out, he and other intellectuals say, is to embrace change in order
to hone a more inclusive idea of what being Thai is all about.
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